On the side of the river that is ours, are we resolved in commitment to the mandate in and of the world that is Critical Theory. Pauline Fu is ABD (Ph.D. anticipated 2024) in Social and Political Thought wherein is the manuscript, Against Commensurability, in unequivocal response to the violence of structural domination and historical injustice rooted in a persistent conviction in our obligations of intellectualism in abundant solidarity with the present historical moment of crisis in and of the world. With respect and gratitude, does Pauline Fu acknowledge herein exemplars of practice at The University of Chicago, University of California at Santa Cruz, and University of Toronto wherein was she conferred three Graduate degrees, further to two Undergraduate degrees at Queen’s University, and Awards and Fellowships held in generous support of the project cultivated collectively, harboured intimately, across orchards that blast through fortresses of disciplinarity. Fu is member of a dozen Professional Associations, American Philosophical Association and Ontario College of Teachers inclusive, honoured to have served, at age fifteen, with Breakthrough Collaborative.
Research Areas
Critical Theory,
Political Philosophy and Political Economy,
Ethics, Epistemology, and Legal Philosophy,
Feminism and Colonial Modernity,
Subaltern Studies and Postcolonial Theory,
Historiography
Featured Work
Against the Violence That is Commensurability : On Theory After Theory
On the Experimental Thoughtworld of After Capital, I
On 1950s China and the Question of Capitalism
On the Project to Remake the World called Feminism and the Question of Solidarity
On Reparative Justice Beyond Capitalism
On Temporalities of the Washboard, Calisthenics of Proximity, Polities of Affective Surplus, Ontologies of Discrepant Thought towards a Praxis of Overcoming
On Radical Historicity in the Abolition of Heteronomy
Against the Violence That is Teleology
Notes Toward a Postcapitalist Lifeworld
On the Perils of Analogical Juxtaposition in Advocacy Work
Refiguring Transnational Feminism, Gendered Subjectivity, and Colonial Modernity in Twentieth Century Hong Kong
On “I Owe You One”
